.jpg)
Quickies
1 out of 5
Recommended: No
Categories: Mind-candy, easy reading
Synopsis
Observations
Since I don't consider myself a fan of mainstream YA fiction, whether it be dystopian, fantasy, romance, or just plain teen drama, and I more often than not wind up disappointed when I read it, Divergent was never a book for me. However, I had gotten pulled into the Hunger Games and since Divergent seemed to be traveling a similar path {and I got a copy for free} I didn't see the harm in trying.
My main issues with Divergent are as follows:
1. I felt that, for a plot-driven novel, it didn't have an overabundance of plot.
The main idea of the book was an interesting one and, obviously, forcing multi-faceted human beings into choosing one all-encompassing character trait is going to cause issues somewhere along the line, but it just didn't seem to be fully developed, with important plot points tossed carelessly around and suffering from severe lack of explanation as to how they are accomplished.
The first five chapters {which are pretty short} ran through a lot of important information like character introductions, faction history, world-building, aptitude tests, and the Choosing Ceremony. It seemed a bit rushed - and it was hard to get your bearings and visualize everything - but since the book is thirty-nine chapters long, it seemed like a safe assumption that more information would be distributed later on.
The weird thing is that it wasn't - not really anyway - because in chapter six, Four came on the scene to stay.
2. As the book progressed, I began to feel more and more as if the focus of the story was not that Tris was divergent or that the factions were crumbling or even the growing pressure of competitive training, but that Four was hot. So much of the story seemed constructed around him that I felt it detracted from plot development. Obviously, I haven't read the other two books so I don't know if or how anything that seemed minor in Divergent may affect the plots of the trilogy, but taking Divergent alone I got the impression that more than a few scenes were written without further point than to tell the reader more about Four's complete dominance in the alpha male category. I know this is the trend in modern fiction, but it bothers me that so many books on the top seller lists are there because they have a demi-god hero and a heroine who doesn't mind looking.
3. In my opinion, the violence in Divergent was mostly unnecessary and over-the-top. Dauntless is the faction designed to protect the other factions, yet they neither seem to have much of anything to protect nor the appropriate training techniques to teach their initiates what protection actually is.
For instance, how does forcing sixteen-year-olds to beat each other up until one is unconscious supposed to foster anything but brutality and hatred?
And making them, even in a stimulation, shoot their own families supposed to help them overcome their fears or give them a desire to protect anyone?
The detriment of this reverse-psychology system is clearly seen in Tris as she battles her way through training. As she slowly loses her humanity and becomes more accustomed to devising revenge on the initiates she dislikes, steeling herself to be the last man standing in the fight ring, detaching herself from her softer emotions to coldly treat others with unforgiveness and grudges, giving in recklessly to adrenaline and hormones, she triumphantly calls it leaving Abnegation behind and embracing Dauntless.
And Dauntless itself is less of a faction bent on doing their job and more of a penthouse of eighteen-year-old trainers and sixteen-year-old initiates where adrenaline is rampant and there seem to be no rules besides living as recklessly as possible to prove how dauntless you are.
411
1. There is a lot of body-gazing in this book. Tris doesn't let much of Four go unnoticed and I found it a little overbearing. If I'm supposed to like this guy, I'd rather it was because he had some depth to him outside of the fact that he's drop-dead gorgeous. I don't need his body thrown at my head every time he walks in the room. I get the idea and I'd appreciate a side of character to go along with his slightly over-the-top package.
2. There isn't any actual sex in the book, but there's a lot of cuddling, kissing {not just on the lips}, touching, Tris staying in Four's apartment overnight, and a scene of physical assault that doesn't go into detail, but is there nonetheless.
3. There's a smattering of mild swear words. The 'h' word gets tossed around and God's name is taken in vain on several occasions. I don't recall any others specifically, but there may be other instances of unnecessary language. There is also a lot of juvenile joking and name-calling, which may or may not be offensive or annoying depending upon your personal views.
In Conclusion...
I personally think Divergent is mind candy of the first degree. That's my opinion, I know, and I'm not trying to impose it on anyone. My hope is that what I've said here has only given you an idea of what to expect and make an informed decision on whether Divergent is something you want to get into or not.
Till next time!
1 out of 5
Recommended: No
Categories: Mind-candy, easy reading
Synopsis
In Beatrice Prior’s dystopian Chicago world, society is divided into five factions, each dedicated to the cultivation of a particular virtue—Candor (the honest), Abnegation (the selfless), Dauntless (the brave), Amity (the peaceful), and Erudite (the intelligent). On an appointed day of every year, all sixteen-year-olds must select the faction to which they will devote the rest of their lives. For Beatrice, the decision is between staying with her family and being who she really is—she can’t have both. So she makes a choice that surprises everyone, including herself.
During the highly competitive initiation that follows, Beatrice renames herself Tris and struggles alongside her fellow initiates to live out the choice they have made. Together they must undergo extreme physical tests of endurance and intense psychological simulations, some with devastating consequences. As initiation transforms them all, Tris must determine who her friends really are—and where, exactly, a romance with a sometimes fascinating, sometimes exasperating boy fits into the life she's chosen. But Tris also has a secret, one she's kept hidden from everyone because she's been warned it can mean death. And as she discovers unrest and growing conflict that threaten to unravel her seemingly perfect society, she also learns that her secret might help her save those she loves . . . or it might destroy her.
Observations
Since I don't consider myself a fan of mainstream YA fiction, whether it be dystopian, fantasy, romance, or just plain teen drama, and I more often than not wind up disappointed when I read it, Divergent was never a book for me. However, I had gotten pulled into the Hunger Games and since Divergent seemed to be traveling a similar path {and I got a copy for free} I didn't see the harm in trying.
My main issues with Divergent are as follows:
1. I felt that, for a plot-driven novel, it didn't have an overabundance of plot.
The main idea of the book was an interesting one and, obviously, forcing multi-faceted human beings into choosing one all-encompassing character trait is going to cause issues somewhere along the line, but it just didn't seem to be fully developed, with important plot points tossed carelessly around and suffering from severe lack of explanation as to how they are accomplished.
The first five chapters {which are pretty short} ran through a lot of important information like character introductions, faction history, world-building, aptitude tests, and the Choosing Ceremony. It seemed a bit rushed - and it was hard to get your bearings and visualize everything - but since the book is thirty-nine chapters long, it seemed like a safe assumption that more information would be distributed later on.
The weird thing is that it wasn't - not really anyway - because in chapter six, Four came on the scene to stay.
2. As the book progressed, I began to feel more and more as if the focus of the story was not that Tris was divergent or that the factions were crumbling or even the growing pressure of competitive training, but that Four was hot. So much of the story seemed constructed around him that I felt it detracted from plot development. Obviously, I haven't read the other two books so I don't know if or how anything that seemed minor in Divergent may affect the plots of the trilogy, but taking Divergent alone I got the impression that more than a few scenes were written without further point than to tell the reader more about Four's complete dominance in the alpha male category. I know this is the trend in modern fiction, but it bothers me that so many books on the top seller lists are there because they have a demi-god hero and a heroine who doesn't mind looking.
3. In my opinion, the violence in Divergent was mostly unnecessary and over-the-top. Dauntless is the faction designed to protect the other factions, yet they neither seem to have much of anything to protect nor the appropriate training techniques to teach their initiates what protection actually is.
For instance, how does forcing sixteen-year-olds to beat each other up until one is unconscious supposed to foster anything but brutality and hatred?
And making them, even in a stimulation, shoot their own families supposed to help them overcome their fears or give them a desire to protect anyone?
The detriment of this reverse-psychology system is clearly seen in Tris as she battles her way through training. As she slowly loses her humanity and becomes more accustomed to devising revenge on the initiates she dislikes, steeling herself to be the last man standing in the fight ring, detaching herself from her softer emotions to coldly treat others with unforgiveness and grudges, giving in recklessly to adrenaline and hormones, she triumphantly calls it leaving Abnegation behind and embracing Dauntless.
And Dauntless itself is less of a faction bent on doing their job and more of a penthouse of eighteen-year-old trainers and sixteen-year-old initiates where adrenaline is rampant and there seem to be no rules besides living as recklessly as possible to prove how dauntless you are.
411
1. There is a lot of body-gazing in this book. Tris doesn't let much of Four go unnoticed and I found it a little overbearing. If I'm supposed to like this guy, I'd rather it was because he had some depth to him outside of the fact that he's drop-dead gorgeous. I don't need his body thrown at my head every time he walks in the room. I get the idea and I'd appreciate a side of character to go along with his slightly over-the-top package.
2. There isn't any actual sex in the book, but there's a lot of cuddling, kissing {not just on the lips}, touching, Tris staying in Four's apartment overnight, and a scene of physical assault that doesn't go into detail, but is there nonetheless.
3. There's a smattering of mild swear words. The 'h' word gets tossed around and God's name is taken in vain on several occasions. I don't recall any others specifically, but there may be other instances of unnecessary language. There is also a lot of juvenile joking and name-calling, which may or may not be offensive or annoying depending upon your personal views.
In Conclusion...
I personally think Divergent is mind candy of the first degree. That's my opinion, I know, and I'm not trying to impose it on anyone. My hope is that what I've said here has only given you an idea of what to expect and make an informed decision on whether Divergent is something you want to get into or not.
Till next time!
.jpg)